Tranquilidad hector lavoe biography
- Héctor Lavoe was among the most innovative singers in salsa history.
- The first collection led by Willie Colon and Héctor Lavoe became somewhat of an underground classic.
- A site that collects and analyzes music data from around the world.
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Héctor Lavoe
Héctor Lavoe was among the most innovative singers in salsa history. In addition to solo recordings, he was a founding and longtime member of the Fania All-Stars. Gifted with perfect diction, a jazzman's sense of rhythmic syncopation, and an emotive delivery, Lavoe and musical partner Willie Colón emerged as the Latin boogaloo and soul of the late 1960s evolved into the '70s salsa boom. 1970's classic Cosa Nuestra included the immortal anthem "Che Che Cole." 1970's El Gran Fuga, 1972's El Juicio, and 1973's Lo Mato netted ten hit singles between them and boasted future salsa standards including "Calle Luna, Calle Sol." Lavoe went solo and Colón produced the singer's 1975 gold-certified La Voz, 1976's De Ti Depende, and 1978's smash Comedia. The latter contained the Rubén Blades-penned single "El Cantante," Lavoe's theme song. He issued ¡Qué Sentimiento! in 1981, his only self-produced album, and 1985's Revento was certified gold. 1987's Strikes Back marked the final studio collaboration between Colón and Lavoe, and was nominated for a Grammy. The singer's life was t
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Héctor Lavoe, Willie Colón & Yomo Toro – ASALTO NAVIDEÑO VOL. II
After these three Fania stars’ success with their initial release of Asalto Navideño Vol. I, they rewarded us a year later with Asalto Navideño Vol. II. Many consider this album to be even better than the first. And it’s hard to argue with either squabble—while so many cherish Vol. I as the best Salsa Christmas album of all time. What is immediately recognized is the authentic jibaro sound produced by Hector, enriching all selections with the traditional delivery of earlier aguinaldo vocalist of the past. Willie Colon’s band is riveting throughout and the cuatro playing of Yomo Toro is unequaled as demonstrated in his solos during the recordings of “Arbolito” and “Tranquilidad.” The clever arrangements make for a definite danceable/traditionally styled cuts especially in the interpretations of classics like “La Banda,” “Doña Santos” and “Cantemos.” A large part of the Puerto Rican culture is the way the Boricuas celebrate the birth of Christ with parrandas and aguinaldos as they march through
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Tranquilidad
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