Charon greek mythology
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Journal articles on the topic 'Michelangelo de'
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Author:Grafiati
Published: 10 September 2021
Last updated: 1 February 2022
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Parker, Deborah. "The Role of Letters in Biographies of Michelangelo*." Renaissance Quarterly 58, no. 01 (2005): 91–126. http://dx.doi.org/10.1353/ren.2008.0656.
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Whenever I look back at my writing, whether it be from five years ago or five months ago, I always see something I would change. I guess it’s good that I’m overly critical, because it must mean that I’m progressing, right? So although I see many things I would change in this paper, I thought I’d share it with all of you.
This was written for my Italian Renaisance Art class my junior year. I hope you like it!
Michelangelo’s Hell
In a time of wealth and prosperity like the Renaissance, painted scenes of damnation became unpopular. By the start of the Reformation and the Sack of Rome in 1527, however, many Italians needed the promise of salvation on their last day. Many also prayed for the damnation of their tormentors. Once again scenes of the Day of Judgement became suitable for patrons like Pope Paul III, as he commissioned Michelangelo to paint this on the altar wall of the Sistine Chapel in 1534. Michelangelo had been influenced by Savonarola as a young man and witnessed the horrors of the Sack of Rome, and this brutality had stayed w
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2019. «Fuss'io pur lui!»: Michelangelo’s Poetry in the Light of Dante. In 'Resistance in Italian Culture from Dante to the 21st Century', Chapter 3.
AMBRA MORONCINI «FUSS’ IO PUR LUI!»: MICHELANGELO’S POETRY IN THE LIGHT OF DANTE. NOT JUST A CASE OF RESISTANCE TO PETRARCHISM* On 20TH October 1519 the Accademia Medicea, which included Michelangelo among its members, petitioned Pope Leo X for the restitution of Dante’s remains from Ravenna to the city of Florence. Michelangelo added to the petition his heartfelt offer to sculpt a suitable tomb for the “divine poet”1. His wish to «fare la Sepoltura sua chondecente e in locho onorevole in questa cictà» was however left unfulfilled, since, as is well known, Ravenna was to remain, as it is still today, the burial place of the great poet2. Michelangelo’s admiration for Dante and close knowledge of his work is a well-known, indeed pervasive, theme, though mostly studied on the evidence of Michelangelo’s visual art, as opposed to Dante’s influence in his poetry3. This is * I am grateful to Simon Gilson for his assistance and t
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